Previously you had to use a SpeedLooks camera LUT in tandem with one of the SpeedLooks creative LUTs to get the right correction. Adobe LUTs plus SpeedLooks LUTs from LookLabs are included as creative choices. Now only camera gamma correction LUTs (like ARRI Log-C to Rec 709) appear in the input tab and color style LUTs show up in the creative tab. The new arrangement is more straightforward than when first introduced. You can pick a LUT from either the input and/or creative tab. In the rest of the Lumetri panel, Adobe changed the LUT (color look-up table) options. Finally, the secondary control also includes its own sliders for temperature, tint, contrast, sharpening and saturation. You can then change the color using either the single or three-wheel color control. The selected color range can be viewed against black, white or gray to check the accuracy of the adjustment. To further refine the isolated color, which is essentially a key, use the HSL, denoise and blur sliders. Then use the “add” or “remove color” eyedroppers to adjust the selection. Use an eyedropper to select the starting color that you want to affect. However, the new marquee feature is the addition of SpeedGrade’s HSL Secondary color correction. Lumetri has had temperature and tint sliders, but the eyedropper makes white balance correction a one-click affair. Three key features were added to Lumetri in this update.įirst is a new white balance eyedropper. For editors, Lumetri provides nearly everything they need for standard color correction, so there’s rarely any need to step outside of Premiere Pro.
The Lumetri color panel brought over the dominant color correction tools from SpeedGrade CC configured into a Lightroom-style panel.
CC 2015.3 adds numerous new features in direct response to the needs of editors, including secondary color correction, a proxy workflow, a 360VR viewer and more. Let me dive into what’s new in Premiere Pro, Audition, Adobe Media Encoder and After Effects.Īdobe has captured the attention of the professional editing community with Premiere Pro and has held it with each new update. For example, Premiere Pro CC becomes version 2015.3, not CC 2016. Since this is not a new, across-the-board Creative Cloud version update, the applications keep the CC 2015 moniker, except with a point increase. They have been on a roll with their professional video solutions – especially Premiere Pro CC – and this update is no exception. Adobe is on track for the yearly refresh of its Creative Cloud applications.
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